insideKino

Lativ hat geschrieben:...diese Farbklacks Lise, ich möchte es mal wohlwollend ausdrücken hat für einen Menschen das nach außen erscheinende bedrohungspotenzial von einem Pfeilgiftfrosch.

There’s a lot more story, and a lot more character stuff, and a lot more of what I would call ‘Star Trek stuff.’

Mark_G hat geschrieben:Hat aber bei youtube einen erschreckend hohen Daumenrunter-Anteil...

Roli hat geschrieben:Neuer Trailer mit Rihanna als Begleitung

scholley007 hat geschrieben:@Kinofan43: "Scotty hat mich letzte Nacht zweimal gebeamt" - Aussage einer jungen Dame! 1987 in "Spaceballs". Das sollte wohl in Stein gemeisselt bleiben....

Mark_G hat geschrieben:Also ich glaube, man kann ausschließen, dass Paramount mehr Geld deswegen erwarten kann, denn im amerikanischen Bible Belt ist das noch immer ein Grund den Film nicht zu sehen.
Außerdem war das keine Entscheidung von Paramount, sondern von Simon Pegg, der damit George Takei "ehren" wollte...

the third instalment of the re-booted Star Trek franchise gets safely through its voyage, offering a strong returning cast and a familiar, if slightly tweaked mix of effects-heavy space action, cheeky humour and philosophical musing. The mix itself may not be fresh enough to bring many new fans to cinemas, but the casting of Idris Elba as this episode’s brooding villain might help the franchise broaden its audience slightly this time out.

the third reboot installment, Star Trek Beyond, regains momentum, and not just in the obvious area of its muscular action set-pieces. The script injects a welcome strain of humor that's true to the original Gene Roddenberry creation, delivering nostalgia without stiff veneration.

It doesn’t take a rocket scientist to see why director Justin Lin was handed the reins of the “Star Trek” series from the outgoing J.J. Abrams. Lin, the director of four “Fast and Furious” films, is a virtuoso at making vehicles fly through space, and his “Star Trek Beyond” has a few of the most spectacular set pieces ever seen in the series. What’s more, if you had to find a theme in the “Fast and Furious” films — apart from their real theme, which is that speed and destruction rock — it would be this: A motley crew of multiculti ego-driven auto pilots works best when they make themselves into a team. Yet it’s not until the halfway point of “Star Trek Beyond” when Lin stages a sequence that truly seems to get his juices flowing.